Havana: Abstract Art

I happen to enjoy abstract art but I don't claim to know anything about it. I just know what I like when I see it. I like color, geometry, shadow, and wabi-sabi (look it up Nigel). All of these photographs have at least some of those elements. Some are more literal than others. Regardless, I enjoy looking for these things when I am walking around a place like Havana, and there's no shortage of photographic opportunity.

Havana: Skies and Clouds

For some reason, in late December and one day in January, I expected the weather to be a bit more dramatic. No such luck. It was exactly like summer, just not as hot. For one evening, however, I got my wish and the clouds moved in over the city. The middle picture was another day, but the sky coupled with the pollution-belching smokestacks got my attention.

Havana: Classic Cars Part 2

Some more examples of what's to be found on the streets of Havana today. To get a car isolated from other cars (taxis), it is necessary to walk the back streets of Havana where tourists fear to tread. Well worth it for good photography and completely safe.

Havana: Classic Cars Part 1

Along with cigars and rum, classic cars from the 50s are Cuba's biggest cliche. Even so, I still find them colorful and interesting and a testament to the Cubans' incredible ability to keep these things running long past their expiration date. There's an American TV show called "Cuban Chrome" that pays homage to the mechanics who find a way to get parts, paint and almost anything they need to keep them on the road. My main criteria for these photographs is that the background must be as interesting as the car itself. I don't always succeed at that, however. It seems like today, three years since we were last in Havana, that the majority of these old pre-1959 cars are being used as taxis.

Havana: A Person in the Landscape

I try to give each set of pictures I post some sort of connection with each other rather than take a willy-nilly approach. That isn't to say that each photograph is particularly effective on its own. Although I like these shots, there are some nagging problems with a few of them. I love the color in the bottom two, but I wish the feet of both people (1) were visible in the pink and blue photo and (2) not so close to the bottom of the frame in the last one. Often, I'll turn around and there's a shot that I sometimes don't have the time to perfectly compose. In the shot with the man in the red shirt and walking stick, I wasn't able to give him room to breathe as he's walking out of the frame. I was taking the background and he walked into the shot while my eye was at the viewfinder. In four of the other five photographs, the people are very small against a larger landscape. I think a person adds something against a more sterile picture of a building. All photographs taken with the Sony A 6000.

Havana: Street Cinematics

Cinematics are usually taken with a wide-angle lens, in this case my Sony 10-18 which in 35mm terms means a 15-27 range of view. I straightened some of these shots and left others with some distortion, most notably the one of the people playing dominoes on the street outside their home. While I usually try to keep the subject out of the center of the photograph, I made an exception with the man running away from me on the Malecon. No reason really. I also try to keep people in the frame spread out a bit, with not too many on either side of the shot to give the photograph some balance. As I walk around the city, I have no particular place in mind to go. I just keep moving until something catches my eye, usually color or a striking building or particularly good light. With the exception of the first picture, all were taken on the streets outside the more spiffed-up Havana Vieja center. I used the Sony NEX 7 for all of these.

Havana: What's Inside the Door

These photographs are somewhat self-explanatory. I'm fascinated by what lies behind open doors but I never walk in very far to try to find out. The greatest difficulty I have in taking these kinds of shots is getting the geometry straight. This usually takes place on the computer when I get home. Since they are not taken exactly straight on, there's always some lens distortion that has to be dealt with. Sometimes I allow a little vertical or horizontal distortion to stay in, but for the most part I prefer a more classical look. All photographs taken with the Sony A6000 and a couple of different lenses.